Photo of me at juried group show at Norseman Distillery in Minneapolis.
Photo of me at juried group show at Norseman Distillery in Minneapolis.


Anna Segner is a mixed-media painter, writer, journalist, and third-year student in the Integrated Visual Arts, Master of Fine Arts program at Iowa State University. She graduated from Saint Mary’s University of Minnesota in 2015 with a Bachelor of Arts in Literature with Writing Emphasis and Studio Art. Growing up in Minnesota and spending summer vacations camping in the Boundary Water Canoe Area, Segner has developed a love for physically and intellectually interacting with the landscape. Segner actively incorporates environmental study in both studio art and writing. After graduation, she worked full time as a reporter for a newspaper in Owatonna, Minnesota. The work of reporting gave her stronger insight to humans’ search for truth in research and study. Current works explore meaningful connection between animals and the  meanings that humans have assigned to them.




Artist Statement

As children play with toys that reference animals, they learn to feel empathy for another species, yet they also displace the animals’ actual context, habitat, agency, and behaviors. Child’s play forms animal perceptions and misconceptions about natural context that is carried through into adulthood. Today we have more varied and more numerous artificial representations of animals than ever before; in both formal contexts and in play settings, these depictions often perpetuate the divorce from animal realities. It is troubling that as adults, animals are still often treated as toys—put where we want, admired when we are in the mood, ignored when we are fixated on something else, and tossed out when we outgrow them.

While artificial representations are on the rise, ecosystems are disturbed by human impact, and biodiversity is dwindling. Ironically, as we long for a wildness that is less and less present in our daily lives, we replace it artificially in our homes. Fake plants in kitchens, giraffe patterned curtains in our living rooms, safari animal decals in our nurseries, stuffed animals in our bedrooms, and televisions roaring with animal life documentaries all create a false representation of “wild.” Clearly, humans value nature and animals, but humans have lost touch with true experiences of the wilderness. Mixed media approaches are adopted to grapple with the complexity of humans’ artificial approach to replacing the lost wild.


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